SINGING BOWL PROFILE CARD - Level 1
certified by Project Explorers
Initial Note
"The idea of profiling singing bowls came into realization thanks to co-work with Polish section of Peter Hess Institute (Peter Hess Akademia Polska) and it is something unique in a world wide scale. The Singing Bowl Profile Card is a sort of sonic genealogy of a singing bowl. You can discover not only "what sings in a singing bowl", but also you will be provided with detailed meaning of this information. In other words - you will get a wider view on this beautiful instrument, which you probably hold in your hand now".
-- Krzysztof Jaros
o o o
1. Singing Bowl Origins:
Purchase Date:
Place of Order:
Profiling Date:
2. The Singing Bowl: Spectrogram, Spectrum and General Envelope.
File length and general efficiency in range of -36dB: 36.0s / 22.5s
|
Amount of crucial frequency ranges in which significant peaks are present: 9
3. Comprehensive Peak Analysis in Numbers.
Peaks are numbered according to bands of significance.
If you provided the audio files - keep in mind, that peak measurement accuracy depends on hardware calibration (differences may reach even 1%).
Pitch is the average frequency of a significant peak band, i.e. pitch of the pulsation within that band.
BB states for binaural or differential beat (pulsation) generated by peaks within the significant frequency band; note that at multiple peaks per band (more than 2) - there are multiple BB's listed, yet reduced according to audible overlapping pulsations.
Bpm is BB recalculated to rhythm (beats per minute).
Tonal and spectral efficiency is measured at 5 time points to estimate efficiency curves later.
General efficiency (estimated) is measured within 36dB or top-to-floor time range (n.a. - fade out is longer than file length).
P# to P1 ratio are averaged (n-th pitch per first pitch) ratios between frequency bands; useful to measure harmonic beat and consonance/dissonance factors.
Table 1: Comprehensive Peak Analysis
ID |
freq |
pitch |
BB |
bpm |
efficiency ranges [dB] per 4s |
t [s] |
P# to P1 | ||||||
t1 |
t2 |
t3 |
t4 |
t5 |
ratio |
xOct |
+Oct | ||||||
P01a | 111.53 | 111.99 | 0.93 | 55.8 | -6.1 | -17.5 | -30.8 | -38.1 | -45.9 | 14.0 | n1 | n1 | n0 |
P01b | 112.46 | ||||||||||||
P02a | 314.01 | 314.93 | 1.85 | 111 | -23.1 | -25.8 | -28.3 | -31.2 | -33.6 | 34.5 | 2.812 | 1.406 | 1 |
P02b | 315.86 | ||||||||||||
P03a | 595.88 | 597.58 629.85 613.79 | 3.41 3.67 35.81 | 204.6 220.2 2148.6 | -37.1 | -41.2 | -45.5 | -49.4 | -53.4 | 32.5 | 5.336 5.624 5.481 | 1.334 1.406 1.37 | 2 2 2 |
P03b | 599.29 | ||||||||||||
P03c | 628.02 | ||||||||||||
P03d | 631.69 | ||||||||||||
P04a | 913.29 | 914.19 950.54 933.9 | 1.81 7.93 41.21 | 108.6 475.8 2472.6 | -47.8 | -54.1 | -59.4 | -64.3 | -69.5 | 31.0 | 8.163 8.488 8.339 | 1.02 1.061 1.042 | 3 3 3 |
P04b | 915.1 | ||||||||||||
P04c | 946.57 | ||||||||||||
P04d | 954.5 | ||||||||||||
P05a | 1365.35 | 1367.86 | 5.03 | 301.8 | -56.2 | -64.3 | -71.2 | -76.3 | -80.8 | 13.0 | 12.214 | 1.527 | 3 |
P05b | 1370.38 | ||||||||||||
P06a | 1849.74 | 1876.41 1876.96 | 1.1 54.43 | 66 3265.8 | -65.2 | -73.4 | -78.3 | -78.3 | -80.8 | 7.0 | 16.755 16.76 | 1.047 1.048 | 4 4 |
P06b | 1903.07 | ||||||||||||
P06c | 1904.17 | ||||||||||||
P07a | 2366.05 | 2377.61 | 23.12 | 1387.2 | -65.2 | -76.3 | -80.8 | -80.8 | -84.3 | 5.0 | 21.231 | 1.327 | 4 |
P07b | 2389.17 | ||||||||||||
P08a | 2945.91 | 2963.69 | 35.56 | 2133.6 | -65.7 | -80.8 | -84.3 | -84.3 | -84.3 | 5.5 | 26.464 | 1.654 | 4 |
P08b | 2981.47 | ||||||||||||
P09a | 3594.9 | 3596.89 | 3.98 | 238.8 | -63.1 | -80.8 | -84.3 | -84.3 | -84.3 | 5.0 | 32.118 | 1.004 | 5 |
P09b | 3598.88 | ||||||||||||
4. Associative Frequency Analysis - Planetary Tones and Periodic Tables.
Planetary or periodic tone is calculated according to law of octave.
Octavisations of periodic tones are displayed in radius of 1-2% (c.a. 17-34 cents). Ask if you need to reprofile in wider radius or in resonant ranges [Hz]. Distances are displayed in both, cents (and %) and Hz.
Table shows real distance (in octaves) between tone and source, and octave distance to reference tuning (at 128-256Hz).
If you provided the audio files - keep in mind, that peak measurement accuracy depends on hardware calibration (differences may reach even 1%).
To keep things compatible with other market services, planetary tones are calculated according to Hans Cousto (if possible), author of Cosmic Octave. Keep in mind, that these tones calculated according to other resources (like Wikipedia) - may slightly differ. If needed - you may provide your own reference tones.
Table 2: Planetary/Periodic Tones
ID |
freq |
oct to |
distance |
real |
Planetary / periodic tone | ||
Hz |
% |
cents | |||||
P01a |
111.53 |
-1 |
-0.92 0.47 -0.57 |
-0.82 0.42 -0.51 |
-14.27 7.28 -8.86 |
31 5 27 |
Year of Venus (Taurus/Libra) [Cousto] Brainwave Theta Center [others] Biorhythm (primary) - Emotional Cycle (28 days) |
P01b |
112.46 |
-1 |
0.44 -0.46 |
0.39 -0.41 |
6.76 -7.10 |
40 5 |
Cycle - Year of Makemake [Cousto] Brainwave Theta Center [others] |
pitch01a |
111.99 |
-1 |
0.91 0.01 -1.03 |
0.81 0.01 -0.92 |
14.01 0.15 -15.99 |
40 5 27 |
Cycle - Year of Makemake [Cousto] Brainwave Theta Center [others] Biorhythm (primary) - Emotional Cycle (28 days) |
BB01a |
0.93 |
-8 |
-0.01 |
-0.58 |
-10.06 |
27 |
Cycle - Year of Ceres [Cousto] |
P02a |
314.01 |
1 |
0.07 |
0.02 |
0.39 |
-41 |
Hydrogen Gamma [Cousto] |
P02b |
315.86 |
1 |
-1.78 |
-0.56 |
-9.78 |
-41 |
Hydrogen Gamma [Cousto] |
pitch02a |
314.93 |
1 |
-0.85 |
-0.27 |
-4.68 |
-41 |
Hydrogen Gamma [Cousto] |
BB02a |
1.85 |
-7 |
-0.00 -0.02 |
-0.04 -0.98 |
-0.73 -17.03 |
28 46 |
Cycle - Year of Ceres [Cousto] Biorhythm (secondary) - Spiritual Cycle (53 days) |
P03a |
595.88 |
2 |
-4.49 3.08 |
-0.75 0.52 |
-13.09 8.93 |
39 -2 |
Year of Saturn (Capricorn) [Cousto] Geomagnetic Field [Cousto] |
P03b |
599.29 |
2 |
-0.33 |
-0.06 |
-0.95 |
-2 |
Geomagnetic Field [Cousto] |
P03c |
628.02 |
2 |
0.14 |
0.02 |
0.39 |
-40 |
Hydrogen Gamma [Cousto] |
P03d |
631.69 |
2 |
-3.53 |
-0.56 |
-9.70 |
-40 |
Hydrogen Gamma [Cousto] |
pitch03a |
597.58 |
2 |
1.38 |
0.23 |
3.99 |
-2 |
Geomagnetic Field [Cousto] |
pitch03b |
629.85 |
2 |
-1.69 |
-0.27 |
-4.65 |
-40 |
Hydrogen Gamma [Cousto] |
pitch03c |
613.79 |
2 |
5.09 |
0.83 |
14.30 |
35 |
Cycle - Year of Eros [modern] |
BB03b |
3.67 |
-6 |
-0.01 0.03 -0.01 |
-0.31 0.77 -0.17 |
-5.33 13.36 -2.93 |
31 29 47 |
Moon Knot [Cousto] Cycle - Year of Ceres [Cousto] Biorhythm (secondary) - Spiritual Cycle (53 days) |
BB03c |
35.81 |
-2 |
-0.19 0.32 |
-0.52 0.88 |
-8.97 15.24 |
-1 40 |
Solfeggio X3 (treating wounds and damaged tissue) Biorhythm (secondary) - Aesthetic (43 days) |
P04a |
913.29 |
2 |
3.60 -3.57 |
0.39 -0.39 |
6.81 -6.77 |
39 31 |
Moon - Metonic Cycle [Cousto] Moon - Sideric Month [Cousto] |
P04b |
915.1 |
2 |
1.79 -5.38 |
0.20 -0.59 |
3.38 -10.20 |
39 31 |
Moon - Metonic Cycle [Cousto] Moon - Sideric Month [Cousto] |
P04c |
946.57 |
2 |
0.23 -8.64 |
0.02 -0.91 |
0.42 -15.88 |
37 55 |
Cycle - Year of Ceres [Cousto] Biorhythm (secondary) - Spiritual Cycle (53 days) |
P04d |
954.5 |
2 |
-7.70 8.50 |
-0.81 0.89 |
-14.02 15.35 |
37 0 |
Cycle - Year of Ceres [Cousto] Solfeggio X1 (reset system - return to oneness) |
pitch04a |
914.19 |
2 |
2.70 -4.47 |
0.30 -0.49 |
5.10 -8.48 |
39 31 |
Moon - Metonic Cycle [Cousto] Moon - Sideric Month [Cousto] |
pitch04b |
950.54 |
2 |
-3.74 |
-0.39 |
-6.83 |
37 |
Cycle - Year of Ceres [Cousto] |
pitch04c |
933.9 |
2 |
2.73 4.03 |
0.29 0.43 |
5.06 7.45 |
39 55 |
Moon Knot [Cousto] Biorhythm (secondary) - Spiritual Cycle (53 days) |
BB04b |
7.93 |
-5 |
-0.04 |
-0.52 |
-9.02 |
-12 |
Sun - Hypothetical Solar Cycle (Leo) [Cousto] |
BB04c |
41.21 |
-2 |
-0.01 -0.33 |
-0.02 -0.80 |
-0.42 -13.91 |
23 35 |
Hopi Heart Tone [Cousto] Biorhythm (secondary) - Intuition (38 days) |
P05a |
1365.35 |
3 |
11.10 |
0.81 |
14.02 |
50 |
Earth - Platonic (Galactic) Year [Cousto] |
P05b |
1370.38 |
3 |
6.07 12.50 |
0.44 0.91 |
7.65 15.72 |
50 41 |
Earth - Platonic (Galactic) Year [Cousto] Cycle - Year of Chiron [Cousto] |
pitch05a |
1367.86 |
3 |
8.59 |
0.63 |
10.84 |
50 |
Earth - Platonic (Galactic) Year [Cousto] |
BB05a |
5.03 |
-5 |
-0.03 -0.04 |
-0.60 -0.75 |
-10.36 -13.06 |
-1 -7 |
Brainwave Alpha Center [others] Solfeggio FA (connecting and relationships) |
P06a |
1849.74 |
3 |
-15.96 |
-0.86 |
-15.01 |
40 |
Moon - Metonic Cycle [Cousto] |
P06b |
1903.07 |
3 |
-9.47 |
-0.50 |
-8.64 |
38 |
Cycle - Year of Ceres [Cousto] |
P06c |
1904.17 |
3 |
-10.57 |
-0.56 |
-9.64 |
38 |
Cycle - Year of Ceres [Cousto] |
pitch06a |
1876.41 |
3 |
-3.15 17.19 -0.55 |
-0.17 0.92 -0.03 |
-2.90 15.79 -0.51 |
40 38 56 |
Moon Knot [Cousto] Cycle - Year of Ceres [Cousto] Biorhythm (secondary) - Spiritual Cycle (53 days) |
pitch06b |
1876.96 |
3 |
-3.70 16.64 -1.10 |
-0.20 0.89 -0.06 |
-3.41 15.28 -1.02 |
40 38 56 |
Moon Knot [Cousto] Cycle - Year of Ceres [Cousto] Biorhythm (secondary) - Spiritual Cycle (53 days) |
BB06a |
1.1 |
-7 |
0.00 -0.00 -0.01 |
0.34 -0.39 -0.91 |
5.79 -6.78 -15.81 |
23 33 31 |
Year of Mercury (Gemini/Virgo) [Cousto] Year of Pluto (Scorpio) [Cousto] Cycle - Year of Chariklo [Cousto] |
P07a |
2366.05 |
4 |
-0.48 |
-0.02 |
-0.35 |
41 |
Year of Saturn (Capricorn) [Cousto] |
P07b |
2389.17 |
4 |
-23.60 6.67 |
-0.99 0.28 |
-17.19 4.83 |
41 0 |
Year of Saturn (Capricorn) [Cousto] Geomagnetic Field [Cousto] |
pitch07a |
2377.61 |
4 |
-12.04 18.23 |
-0.51 0.77 |
-8.79 13.22 |
41 0 |
Year of Saturn (Capricorn) [Cousto] Geomagnetic Field [Cousto] |
BB07a |
23.12 |
-3 |
-0.17 0.04 |
-0.75 0.16 |
-12.99 2.71 |
33 -5 |
Year of Jupiter (Sagittarius) [Cousto] Solfeggio SOL (awakening intuition) |
P08a |
2945.91 |
4 |
-8.68 18.09 |
-0.29 0.61 |
-5.11 10.60 |
40 2 |
Year of Jupiter (Sagittarius) [Cousto] Solfeggio SOL (awakening intuition) |
P08b |
2981.47 |
4 |
20.21 -17.47 |
0.68 -0.59 |
11.70 -10.17 |
28 2 |
Moon - Culmination Period [Cousto] Solfeggio SOL (awakening intuition) |
pitch08a |
2963.69 |
4 |
-26.46 0.31 |
-0.89 0.01 |
-15.52 0.18 |
40 2 |
Year of Jupiter (Sagittarius) [Cousto] Solfeggio SOL (awakening intuition) |
BB08a |
35.56 |
-2 |
-0.24 0.06 |
-0.68 0.18 |
-11.82 3.16 |
28 -1 |
Year of Mercury (Gemini/Virgo) [Cousto] Solfeggio X3 (treating wounds and damaged tissue) |
P09a |
3594.9 |
4 |
17.90 -10.90 |
0.50 -0.30 |
8.60 -5.26 |
45 10 |
Cycle - Year of Makemake [Cousto] Brainwave Theta Center [others] |
P09b |
3598.88 |
4 |
13.92 -14.88 |
0.39 -0.41 |
6.68 -7.17 |
45 10 |
Cycle - Year of Makemake [Cousto] Brainwave Theta Center [others] |
pitch09a |
3596.89 |
4 |
15.91 -12.89 |
0.44 -0.36 |
7.64 -6.22 |
45 10 |
Cycle - Year of Makemake [Cousto] Brainwave Theta Center [others] |
BB09a |
3.98 |
-6 |
-0.04 |
-0.89 |
-15.55 |
-13 |
Sun - Hypothetical Solar Cycle (Leo) [Cousto] |
Some energetic archetypes of planetary tones according to Cousto: Earth (synodic day) - dynamic, vitalizing; Earth OM (sideric year) - relaxing, soothing, balancing; Platonic Year - cheerfulness, clarity of spirit; Moon (synodic) - erotic communication, sexual energy; Sun - feeling of centering and magic; Mercury - intellectual communication; Venus - higher love energy, aspiration for harmony; Mars - strenght of will and focused energy; Jupiter - creative power and continuous construction; Saturn - concentration, becoming conscious; Uranus - power of surprise and renewal; Neptun - intuition, dream experience; Pluto - magic group dynamic.
Chakras and their archetypal energies are often associated with musical notes and through notes - with colors. And because planetary/periodic tones cross the musical system, chakras can be associated with them too. Chakra systems are usually anchored at C note, within its typical frequency range, but there are exceptions (like Cousto). Basically, there are two major chakra systems (7+1 and 12+1) and many minor and internal variations.
Chakras in typical 7+1 system (and shifts according to Cousto): 1/8 - Muladhara (root chakra) and bindu at higher octave = C (or tone of Synodic Day / G), 2 - Svaddhistana (sexual or navel chakra) = D (or tone of Synodic Moon / G#), 3 - Manipura (solar plexus or emotional chakra) = E (or tone of Sun / B), 4 - Anahata (heart chakra) = F (or tone of Earths OM - Sideric Year / C#), 5 - Vishuddha (throat chakra) = G (or tone of Mercury / C#), 6 - Ajna (brow chakra) = A (or tone of Venus / G#), 7 - Sahasrara (crown chakra) = B (or tone of Platonic Year / F).
Chakras in (well grounded, egyptian according to Drunvalo Melchizedek) 12+1 system: 1 - Survival (C), 2 - Sexual (C#), 3 - Will-Ego (D), 4 - Solar Plexus (D#), 5 - Heart (Christ Consciousness) (E), 6 - Heart (Personal) (F), 7 - Throat (F#), 8 - Chin (G), 9 - Nose (G#), 10 - 3rd eye (A), 11 - 45deg (A#), 12 - Crown (B), 13 - 'God head' (C octave higher). 10, 11 and 12 are "pineal access" chakras.
To find out which chakras can be associated with frequencies (found in instrument) through musical notes - use preferred tuning tables 3a/b.
5. Associative Frequency Analysis - Functional Ranges, Notes and Colors.
Octavised color is calculated according to law of octaves from light spectra frequencies, while standardized color is provided according to progressive association to notes within an octave; thus - there is a color wheel shift (for example - standardized C is red while octavised C is green). Colors are provided in standard sRGB space in visual form and html-friendly hexadecimal code (#000000) - just double click on table cell to see the values.
Estimated note is the closest note to the frequency; midpoint between notes used - is resonant type (equal distance in Hz). Distances from notes are provided in cents and resonance [Hz]. Generally, keep in mind, that notation systems are relative (i.e. can be tuned differently), thus these values may be less important.
Basic note equivalent (table 3a) is provided in 12-TET scientific system (logarithmic, i.e. notes are in equal ratio), at A tuned to 432Hz. Advanced note equivalents (table 3b) includes for comparison: pythagorean system at A=432Hz, harmonic system at A=432Hz and scientific at A=440Hz.
If you provided the audio files - keep in mind, that peak measurement accuracy depends on hardware calibration (differences may reach even 1%).
Functional ranges include: brainwaves (detailed 0-60Hz), vocal octaves that start at D according to biosonic.org (sliglty modified description, tuning 12TET at A=432Hz) and experimental tonal ranges (split points: R1=27Hz, R2=81, R3=216, R4=648, R5=1728, R6=5184, R7=13824). If you have other proposals - contact us.
Table 3a: Functional Ranges, Colors, Notes
ID |
freq |
ranges |
octavised |
standard |
12TET note (A=432) | ||
note |
Hz |
cents |
|||||
P01a |
111.53 |
voc1 (physical) / R2 |
#FF9700 |
#5E1599 |
-1A# |
-2.89 |
-44.32 |
P01b |
112.46 |
voc1 (physical) / R2 |
#FFA900 |
#5E1599 |
-1A# |
-1.96 |
-29.94 |
pitch01a |
111.99 |
voc1 (physical) / R2 |
#FFA000 |
#5E1599 |
-1A# |
-2.43 |
-37.19 |
BB01a |
0.93 |
Low Delta |
#E9FF00 |
#931E50 |
-8B |
-0.02 |
-31.50 |
P02a |
314.01 |
voc3 (emotion) / R3 |
#2700FF |
#FFC600 |
+1D# |
+8.54 |
+47.74 |
P02b |
315.86 |
voc3 (emotion) / R3 |
#3400FF |
#FFFF00 |
+1E |
-7.77 |
-42.09 |
pitch02a |
314.93 |
voc3 (emotion) / R3 |
#2E00FF |
#FFFF00 |
+1E |
-8.70 |
-47.20 |
BB02a |
1.85 |
Delta |
#F2FF00 |
#931E50 |
-7B |
-0.04 |
-40.84 |
P03a |
595.88 |
voc4 (heart) / R3 |
#006EFF |
#FFC600 |
+2D# |
-15.06 |
-43.21 |
P03b |
599.29 |
voc4 (heart) / R3 |
#0061FF |
#FFC600 |
+2D# |
-11.65 |
-33.33 |
P03c |
628.02 |
voc4 (heart) / R3 |
#2700FF |
#FFC600 |
+2D# |
+17.08 |
+47.74 |
P03d |
631.69 |
voc4 (heart) / R3 |
#3400FF |
#FFFF00 |
+2E |
-15.58 |
-42.18 |
pitch03a |
597.58 |
voc4 (heart) / R3 |
#0067FF |
#FFC600 |
+2D# |
-13.36 |
-38.28 |
pitch03b |
629.85 |
voc4 (heart) / R3 |
#2E00FF |
#FFFF00 |
+2E |
-17.42 |
-47.23 |
pitch03c |
613.79 |
voc4 (heart) / R3 |
#0023FF |
#FFC600 |
+2D# |
+2.85 |
+8.06 |
BB03a |
3.41 |
High Delta |
#FF6400 |
#333399 |
-6A |
+0.04 |
+17.86 |
BB03b |
3.67 |
High Delta |
#FFFD00 |
#5E1599 |
-6A# |
+0.09 |
+45.07 |
BB03c |
35.81 |
Low Gamma / R1 |
#00C3FF |
#FF8000 |
-2D |
-0.23 |
-11.12 |
P04a |
913.29 |
voc4 (heart) / R4 |
#FFC700 |
#5E1599 |
+2A# |
-2.09 |
-3.95 |
P04b |
915.1 |
voc4 (heart) / R4 |
#FFCB00 |
#5E1599 |
+2A# |
-0.28 |
-0.52 |
P04c |
946.57 |
voc4 (heart) / R4 |
#F3FF00 |
#931E50 |
+2B |
-23.24 |
-41.99 |
P04d |
954.5 |
voc4 (heart) / R4 |
#E5FF00 |
#931E50 |
+2B |
-15.31 |
-27.54 |
pitch04a |
914.19 |
voc4 (heart) / R4 |
#FFC900 |
#5E1599 |
+2A# |
-1.19 |
-2.24 |
pitch04b |
950.54 |
voc4 (heart) / R4 |
#ECFF00 |
#931E50 |
+2B |
-19.27 |
-34.74 |
pitch04c |
933.9 |
voc4 (heart) / R4 |
#FFF200 |
#5E1599 |
+2A# |
+18.52 |
+34.68 |
BB04a |
1.81 |
Delta |
#FFE400 |
#5E1599 |
-7A# |
+0.02 |
+21.32 |
BB04b |
7.93 |
Alpha/Theta |
#77FF00 |
#FF0000 |
-5C |
-0.10 |
-21.08 |
BB04c |
41.21 |
High Gamma / R1 |
#7800E7 |
#FFFF00 |
-2E |
+0.76 |
+32.04 |
P05a |
1365.35 |
voc5 (mental) / R4 |
#8200B2 |
#00FF00 |
+3F |
-6.16 |
-7.80 |
P05b |
1370.38 |
voc5 (mental) / R4 |
#8100AC |
#00FF00 |
+3F |
-1.13 |
-1.43 |
pitch05a |
1367.86 |
voc5 (mental) / R4 |
#8200AF |
#00FF00 |
+3F |
-3.65 |
-4.62 |
BB05a |
5.03 |
Theta |
#5A00FF |
#FFFF00 |
-5E |
-0.03 |
-9.19 |
P06a |
1849.74 |
voc5 (mental) / R5 |
#FFE000 |
#5E1599 |
+3A# |
+18.99 |
+17.86 |
P06b |
1903.07 |
voc5 (mental) / R5 |
#EAFF00 |
#931E50 |
+3B |
-36.55 |
-32.93 |
P06c |
1904.17 |
voc5 (mental) / R5 |
#E9FF00 |
#931E50 |
+3B |
-35.45 |
-31.93 |
pitch06a |
1876.41 |
voc5 (mental) / R5 |
#FFFB00 |
#5E1599 |
+3A# |
+45.66 |
+42.65 |
pitch06b |
1876.96 |
voc5 (mental) / R5 |
#FFFB00 |
#5E1599 |
+3A# |
+46.21 |
+43.15 |
BB06a |
1.1 |
Low Delta |
#00E6FF |
#FF8000 |
-7D |
-0.03 |
-40.86 |
BB06b |
54.43 |
High Gamma / R1 |
#FF5E00 |
#333399 |
-2A |
+0.43 |
+13.73 |
P07a |
2366.05 |
voc6 (spirit) / R5 |
#007FFF |
#FF8000 |
+4D |
+59.44 |
+44.05 |
P07b |
2389.17 |
voc6 (spirit) / R5 |
#0069FF |
#FFC600 |
+4D# |
-54.59 |
-39.11 |
pitch07a |
2377.61 |
voc6 (spirit) / R5 |
#0074FF |
#FFC600 |
+4D# |
-66.15 |
-47.51 |
BB07a |
23.12 |
High Beta |
#BA0000 |
#1CC675 |
-3F# |
+0.42 |
+31.41 |
P08a |
2945.91 |
voc6 (spirit) / R5 |
#B30000 |
#1CC675 |
+4F# |
+39.77 |
+23.53 |
P08b |
2981.47 |
voc6 (spirit) / R5 |
#C40000 |
#1CC675 |
+4F# |
+75.33 |
+44.30 |
pitch08a |
2963.69 |
voc6 (spirit) / R5 |
#BC0000 |
#1CC675 |
+4F# |
+57.55 |
+33.95 |
BB08a |
35.56 |
Low Gamma / R1 |
#00D1FF |
#FF8000 |
-2D |
-0.48 |
-23.25 |
P09a |
3594.9 |
voc6 (spirit) / R5 |
#FFA600 |
#5E1599 |
+4A# |
-66.60 |
-31.78 |
P09b |
3598.88 |
voc6 (spirit) / R5 |
#FFA900 |
#5E1599 |
+4A# |
-62.62 |
-29.87 |
pitch09a |
3596.89 |
voc6 (spirit) / R5 |
#FFA700 |
#5E1599 |
+4A# |
-64.61 |
-30.82 |
BB09a |
3.98 |
Theta/Delta |
#70FF00 |
#FF0000 |
-6C |
-0.03 |
-14.54 |
Table 3b: Notes and Standardized Colors in Other Tunings
ID |
harmonic (A=432) |
pythagorean (A=432) |
12TET (A=440) | |||||||||
std color |
note |
Hz |
cents |
std color |
note |
Hz |
cents |
std color |
note |
Hz |
cents | |
P01a |
#5E1599 |
-1A# |
-0.47 |
-7.28 |
#5E1599 |
-1A# |
-2.25 |
-34.55 |
#333399 |
+11A |
+1.53 |
+23.91 |
P01b |
#5E1599 |
-1A# |
+0.46 |
+7.10 |
#5E1599 |
-1A# |
-1.32 |
-20.17 |
#333399 |
+11A |
+2.46 |
+38.29 |
pitch01a |
#5E1599 |
-1A# |
-0.01 |
-0.15 |
#5E1599 |
-1A# |
-1.79 |
-27.42 |
#333399 |
+11A |
+1.99 |
+31.04 |
BB01a |
#931E50 |
-8B |
-0.01 |
-13.91 |
#931E50 |
-8B |
-0.02 |
-35.41 |
#5E1599 |
+4A# |
+0.02 |
+36.73 |
P02a |
#FFFF00 |
+1E |
-5.99 |
-32.71 |
#FFFF00 |
+1E |
-9.99 |
-54.22 |
#FFC600 |
+13D# |
+2.88 |
+15.97 |
P02b |
#FFFF00 |
+1E |
-4.14 |
-22.54 |
#FFFF00 |
+1E |
-8.14 |
-44.05 |
#FFC600 |
+13D# |
+4.73 |
+26.14 |
pitch02a |
#FFFF00 |
+1E |
-5.07 |
-27.65 |
#FFFF00 |
+1E |
-9.07 |
-49.16 |
#FFC600 |
+13D# |
+3.80 |
+21.03 |
BB02a |
#931E50 |
-7B |
-0.02 |
-23.24 |
#931E50 |
-7B |
-0.05 |
-44.74 |
#5E1599 |
+5A# |
+0.03 |
+27.40 |
P03a |
#FFC600 |
+2D# |
-12.12 |
-34.86 |
#FFC600 |
+2D# |
-10.94 |
-31.48 |
#FF8000 |
+14D |
+8.55 |
+25.02 |
P03b |
#FFC600 |
+2D# |
-8.71 |
-24.98 |
#FFC600 |
+2D# |
-7.53 |
-21.61 |
#FF8000 |
+14D |
+11.96 |
+34.90 |
P03c |
#FFFF00 |
+2E |
-11.98 |
-32.71 |
#FFFF00 |
+2E |
-19.98 |
-54.22 |
#FFC600 |
+14D# |
+5.77 |
+15.97 |
P03d |
#FFFF00 |
+2E |
-8.31 |
-22.63 |
#FFFF00 |
+2E |
-16.31 |
-44.13 |
#FFC600 |
+14D# |
+9.44 |
+26.05 |
pitch03a |
#FFC600 |
+2D# |
-10.42 |
-29.93 |
#FFC600 |
+2D# |
-9.24 |
-26.55 |
#FF8000 |
+14D |
+10.25 |
+29.95 |
pitch03b |
#FFFF00 |
+2E |
-10.15 |
-27.68 |
#FFFF00 |
+2E |
-18.15 |
-49.18 |
#FFC600 |
+14D# |
+7.60 |
+21.00 |
pitch03c |
#FFC600 |
+2D# |
+5.79 |
+16.41 |
#FFC600 |
+2D# |
+6.97 |
+19.78 |
#FFC600 |
+14D# |
-8.46 |
-23.71 |
BB03a |
#333399 |
-6A |
+0.04 |
+17.86 |
#333399 |
-6A |
+0.04 |
+17.86 |
#333399 |
+6A |
-0.03 |
-13.91 |
BB03b |
#931E50 |
-6B |
-0.08 |
-37.33 |
#5E1599 |
-6A# |
+0.11 |
+54.84 |
#5E1599 |
+6A# |
+0.03 |
+13.30 |
BB03c |
#FF8000 |
-2D |
-0.19 |
-9.16 |
#FF8000 |
-2D |
-0.19 |
-9.16 |
#FF8000 |
+10D |
-0.90 |
-42.89 |
P04a |
#5E1599 |
+2A# |
+17.29 |
+33.09 |
#5E1599 |
+2A# |
+3.07 |
+5.82 |
#5E1599 |
+14A# |
-19.04 |
-35.72 |
P04b |
#5E1599 |
+2A# |
+19.10 |
+36.52 |
#5E1599 |
+2A# |
+4.88 |
+9.25 |
#5E1599 |
+14A# |
-17.23 |
-32.29 |
P04c |
#931E50 |
+2B |
-13.43 |
-24.39 |
#931E50 |
+2B |
-25.43 |
-45.90 |
#5E1599 |
+14A# |
+14.24 |
+26.25 |
P04d |
#931E50 |
+2B |
-5.50 |
-9.95 |
#931E50 |
+2B |
-17.50 |
-31.45 |
#5E1599 |
+14A# |
+22.17 |
+40.69 |
pitch04a |
#5E1599 |
+2A# |
+18.19 |
+34.79 |
#5E1599 |
+2A# |
+3.97 |
+7.53 |
#5E1599 |
+14A# |
-18.14 |
-34.01 |
pitch04b |
#931E50 |
+2B |
-9.46 |
-17.14 |
#931E50 |
+2B |
-21.46 |
-38.65 |
#5E1599 |
+14A# |
+18.21 |
+33.49 |
pitch04c |
#931E50 |
+2B |
-26.10 |
-47.72 |
#5E1599 |
+2A# |
+23.68 |
+44.46 |
#5E1599 |
+14A# |
+1.57 |
+2.92 |
BB04a |
#5E1599 |
-7A# |
+0.06 |
+58.36 |
#5E1599 |
-7A# |
+0.03 |
+31.09 |
#5E1599 |
+5A# |
-0.01 |
-10.45 |
BB04b |
#FF0000 |
-5C |
-0.07 |
-15.21 |
#FF0000 |
-5C |
-0.07 |
-15.21 |
#931E50 |
+7B |
+0.21 |
+47.15 |
BB04c |
#00FF00 |
-2F |
-0.79 |
-32.87 |
#FFFF00 |
-2E |
+0.71 |
+30.09 |
#FFFF00 |
+10E |
+0.01 |
+0.27 |
P05a |
#00FF00 |
+3F |
+21.35 |
+27.29 |
#00FF00 |
+3F |
+0.01 |
+0.02 |
#00FF00 |
+15F |
-31.56 |
-39.57 |
P05b |
#00FF00 |
+3F |
+26.38 |
+33.65 |
#00FF00 |
+3F |
+5.04 |
+6.38 |
#00FF00 |
+15F |
-26.53 |
-33.20 |
pitch05a |
#00FF00 |
+3F |
+23.86 |
+30.46 |
#00FF00 |
+3F |
+2.52 |
+3.20 |
#00FF00 |
+15F |
-29.05 |
-36.39 |
BB05a |
#FFFF00 |
-5E |
+0.03 |
+10.36 |
#FFFF00 |
-5E |
-0.03 |
-11.15 |
#FFFF00 |
+7E |
-0.12 |
-40.96 |
P06a |
#5E1599 |
+3A# |
+57.74 |
+54.90 |
#5E1599 |
+3A# |
+29.29 |
+27.63 |
#5E1599 |
+15A# |
-14.92 |
-13.90 |
P06b |
#931E50 |
+3B |
-16.93 |
-15.33 |
#931E50 |
+3B |
-40.93 |
-36.84 |
#5E1599 |
+15A# |
+38.41 |
+35.30 |
P06c |
#931E50 |
+3B |
-15.83 |
-14.33 |
#931E50 |
+3B |
-39.83 |
-35.84 |
#5E1599 |
+15A# |
+39.51 |
+36.30 |
pitch06a |
#931E50 |
+3B |
-43.59 |
-39.76 |
#5E1599 |
+3A# |
+55.96 |
+52.42 |
#5E1599 |
+15A# |
+11.75 |
+10.88 |
pitch06b |
#931E50 |
+3B |
-43.04 |
-39.25 |
#5E1599 |
+3A# |
+56.51 |
+52.93 |
#5E1599 |
+15A# |
+12.30 |
+11.39 |
BB06a |
#FF8000 |
-7D |
-0.02 |
-38.91 |
#FF8000 |
-7D |
-0.02 |
-38.91 |
#FE4D01 |
+5C# |
+0.02 |
+27.37 |
BB06b |
#333399 |
-2A |
+0.43 |
+13.73 |
#333399 |
-2A |
+0.43 |
+13.73 |
#333399 |
+10A |
-0.57 |
-18.04 |
P07a |
#FF8000 |
+4D |
+62.05 |
+46.01 |
#FFC600 |
+4D# |
-61.21 |
-44.22 |
#FF8000 |
+16D |
+16.73 |
+12.28 |
P07b |
#FFC600 |
+4D# |
-42.83 |
-30.76 |
#FFC600 |
+4D# |
-38.09 |
-27.39 |
#FF8000 |
+16D |
+39.85 |
+29.12 |
pitch07a |
#FFC600 |
+4D# |
-54.39 |
-39.16 |
#FFC600 |
+4D# |
-49.65 |
-35.78 |
#FF8000 |
+16D |
+28.29 |
+20.72 |
BB07a |
#1CC675 |
-3F# |
+0.12 |
+9.01 |
#1CC675 |
-3F# |
+0.34 |
+25.55 |
#1CC675 |
+9F# |
-0.00 |
-0.35 |
P08a |
#1CC675 |
+4F# |
+1.91 |
+1.12 |
#1CC675 |
+4F# |
+29.91 |
+17.67 |
#1CC675 |
+16F# |
-14.05 |
-8.24 |
P08b |
#1CC675 |
+4F# |
+37.47 |
+21.90 |
#1CC675 |
+4F# |
+65.47 |
+38.44 |
#1CC675 |
+16F# |
+21.51 |
+12.54 |
pitch08a |
#1CC675 |
+4F# |
+19.69 |
+11.54 |
#1CC675 |
+4F# |
+47.69 |
+28.08 |
#1CC675 |
+16F# |
+3.73 |
+2.18 |
BB08a |
#FF8000 |
-2D |
-0.44 |
-21.29 |
#FF8000 |
-2D |
-0.44 |
-21.29 |
#FE4D01 |
+10C# |
+0.91 |
+44.99 |
P09a |
#5E1599 |
+4A# |
+10.90 |
+5.26 |
#5E1599 |
+4A# |
-46.00 |
-22.01 |
#333399 |
+16A |
+74.90 |
+36.45 |
P09b |
#5E1599 |
+4A# |
+14.88 |
+7.17 |
#5E1599 |
+4A# |
-42.02 |
-20.09 |
#333399 |
+16A |
+78.88 |
+38.37 |
pitch09a |
#5E1599 |
+4A# |
+12.89 |
+6.22 |
#5E1599 |
+4A# |
-44.01 |
-21.05 |
#333399 |
+16A |
+76.89 |
+37.41 |
BB09a |
#FF0000 |
-6C |
-0.02 |
-8.68 |
#FF0000 |
-6C |
-0.02 |
-8.68 |
#FF0000 |
+6C |
-0.11 |
-46.31 |
6. Binaural Beat Efficiency Analysis
Binaural beat analysis shows simplified range split. For detailed informations check table 1 and 2.
simple progression (band list) of BBs
|
amounts of types (saturation) of BBs
|
binaural beats vs functional ranges (vocal octaves)
| |
7. Synesthesia maps
Visual maps of sound colors. For detailed informations check table 3a and 3b
according to octavised light
|
standardized at 12TET/A=432Hz
|
8. HVB - Harmonic Vibrations (experimental).
HVB is a harmonic vibration pattern. It happens within 2-tone intervals, and it happens inside 3-tone chords. Harmonic vibration happens between frequencies, and it's appearance is modulated by differential beats. While it may sounds complex - it is just good to know what sort of HVB frequencies are present in the audio signal, and affect consonance/dissonance. It is a sort of "granularity" and color of vibrations - which probably affect the brainwaves in more profound ways than binaural beats.
How the HVB is calculated?
according to peak frequencies (not pitch centers).
according to multiple math formulas, one set is applied to intervals and one formula is applied to chords.
within limited interval range (max 3 octaves range, above which audible sounds rather don't inter-relate).
within limited (user defined) size of harmonic vibration due to frequency, amplitude and harmonic relationships.
Basically, in a singing bowl - the HVB represents internal consonance/dissonance structure of a complex sound, thus there is no way to clearly point on the waveform, that "this beat is this HVB". HVB's interfere with each other and with differential beats as well. Thus, audible end results have different frequency so to speak; it's a granularity that fluctuates between tones.
On practical side. If you use initial peak frequencies and combine them, in 2-tone intervals or 3-tone chords - then you will be able know the size of your HVB's. If you decide to intentionally use beating tones instead of fixed ones (binaural beats), HVB's will tell you where from additional vibrations come, and how to calculate them.
Table 4: HVB components outside binaural beats range
HVB list for peaks |
HVB list for pitches |
P03c->P02a-P03c/o2 // = 04.54Hz P03c->P02b-P03a/o2 // = 06.39Hz P03d->P02a-P03c/o2 // = 02.80Hz P03d->P02a-P03d/o2 // = 05.13Hz P03d->P02b-P03a/o2 // = 00.95Hz P03d->P02b-P03b/o2 // = 06.98Hz P03b->P03a-b4/o2 // = 09.08Hz P03b->P03b-b4/o2 // = 01.93Hz P03b->P05b-a3/o2 // = 03.70Hz P03c->P03c-a3/o2 // = 03.67Hz P03c->P03d-a3/o2 // = 00.03Hz P03d->P07a-b2/o1 // = 09.17Hz P03d->P09a-d2/o1 // = 00.77Hz P04a->P04d-b2/o1 // = 00.89Hz P04a->P05a-b2/o1 // = 04.54Hz P04b->P04b-a3/o2 // = 04.54Hz P04b->P04c-a3/o2 // = 01.01Hz P04c->P03a-a3/o2 // = 06.92Hz P05a->P04c-b2/o1 // = 00.75Hz P05b->P03b-b2/o1 // = 05.84Hz P05b->P05a-a4/o2+ // = 09.93Hz P05b->P05b-a4/o2+ // = 05.93Hz P06a->P03c-a4/o2+ // = 11.03Hz P06a->P03d-a2/o2 // = 08.00Hz P06a->P03d-a4/o2+ // = 04.83Hz P06b->P01b-a2/o2 // = 09.10Hz P07a->P03d-a2/o2 // = 05.65Hz P07a->P04a-a2/o2 // = 07.99Hz | pitch03b->pitch02a-pitch04b/o2 // = 05.77Hz pitch03b->pitch02a-pitch04c/o2 // = 10.87Hz pitch03c->pitch02a-pitch04a/o2 // = 01.54Hz pitch03c->pitch03a-pitch03b/o1 // = 00.15Hz pitch06a->pitch05a-pitch07a/o1 // = 07.35Hz pitch06b->pitch05a-pitch07a/o1 // = 08.45Hz pitch03b->pitch02a-a2/o2 // = 00.01Hz pitch04b->pitch02a-a3/o2 // = 05.75Hz pitch04b->pitch03b-b2/o1 // = 11.53Hz pitch04c->pitch02a-a3/o2 // = 10.89Hz pitch05a->pitch04a-b2/o1 // = 06.85Hz pitch06a->pitch04c-a2/o2 // = 08.61Hz pitch06b->pitch04c-a2/o2 // = 09.16Hz pitch07a->pitch04b-b4/o2 // = 02.52Hz |
9. Efficiency curves.
Graphs refer to singular activation of the instrument, in typical conditions of use. More advanced measurements are made within Level 2 of the profiling. The amplitude increase over time is not real, and is related to how the microphone works (sensitivity vs. sound pressure in spectral bands).
absolute efficiency curves per peak band (all peaks to reference peak)
|
relative efficiency curves per peak band (all peak bands normalized)
|